Il Viaggio a Reims
(The Journey to Reims)
Gioacchino Rossini (1792–1868).
Dramma giocoso in one act. 1825.
Libretto by Luigi Balocchi .
First performance at the Théâtre Italien, Paris, on 19 June 1825.
CAST
| Corinna: |
Cecilia Gasdia |
soprano |
| Marchesa Melibea: |
Lucia Valentini-Terrani |
mezzo-soprano |
| Contessa di Folleville: |
Lella Cuberli |
soprano |
| Madama Cortese: |
Katia Ricciarelli |
soprano |
| Cavalier Belfiore: |
Edoardo Giménez |
tenor |
| Conte di Libenskof: |
Francisco Araiza |
tenor |
| Lord Sidney: |
Samuel Ramey |
bass |
| Don Profondo: |
Ruggero Raimondi |
bass |
| Barone di Trombonok: |
Enzo Dara |
baritone |
| Don Alvaro: |
Leo Nucci |
baritone |
Prague Philharmonic Chorus; Chamber Orchestra of Europe/Claudio Abbado
SYNOPSIS

A group of European aristocrats assembled at a spa in Plombières are on their way to the coronation of Charles X in Reims. Baron Trombonok is worried about the demands for freedom and democracy following on the heels of the Revolution. Don Profondo suspects that European unification will remain an illusion.
Don Alvaro is in love with Marchioness Melibea. He is beset with jealousy at the arrival of Count Libenskoff, who is also in love with her. The men vie for her favour but are interrupted by a harp accompanying a song by Corinna. It is about peace and brotherly love, but its last stanza paints the picture of current affairs in Europe.
Don Profondo asks Lord Sidney some preposterous questions. Corinna receives a letter saying Turkey has been defeated. Corinna asks Delia to accompany her to Reims.
Chevalier Belfiore begins to woo Corinna, who rejects him. Don Profondo enters and begins to make an inventory of the travellers' baggage. Baron Trombonok and Zefirino enter and report that there are no horses to be had in the town. Then Comtesse de Folleville invites everyone to Paris where, as a letter to Madama Cortese from her husband indicates, grand parties are to be held. The guests resolve to travel by coach next morning.
That same evening, some of the money intended for the onward journey is spent on a party and the rest is given to the poor. Musicians and dancers invited by the Baron enter. The Baron announces that tradition requires the guests to sing songs in their national styles in honour of the King. Trombonok proposes Sidney and Folleville should sing something in praise of the nobility. They sing a song about the upper classes spending money at endless parties. Corinna sings about King Charles X All are moved and acclaim the glory of King and country. |